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Bishop Street Methodist Church has been here since 1815 and is an important part of Leicester's Heritage. Like most places of worship the Chapel building has been adapted and extended over the years with different generations of the people who have worshipped here each leaving their mark. The building and fittings have changed to meet their needs and those of the city. This is a process which is still going on today. The Setting The frontage of the Chapel now looks out onto Town Hall Square, with its cherry trees and central fountain. Handsome buildings dating from the later nineteenth and early twentieth century make up the Square the Reference Library (1904), the former Central Post Office, and of course, the Town Hall itself (1873). However, this Chapel is older than them all, indeed one of the oldest buildings to survive in this part of the City. When it was built, it looked out, not onto the grand civic square, but a cattle market. It was probably only because this was a dirty (and no doubt smelly) part of the town that the early Methodists were able to afford to buy a site here.
The architect of this Chapel was himself a Methodist Minister, Rev. William Jenkins. He knew from personal experience what was important in a Chapel building. Jenkins designed chapels across the British Isles. The best preserved of these is Walcot Chapel near Bath. The closest in appearance to Bishop Street is the Chapel he designed in Carver St, Sheffield. Inside the Chapel The central door is a later addition to the Chapel, one of the many alterations undertaken in 1883. Originally the Chapel was entered by the large doors on the left and right. The foyer was created in the late 1960s and refurbished in 1994.
The interior has been extended and altered through the years. In 1847 the church was extended southwards, and the choir/organ area created above the vestry. The whole interior was dramatically remodelled in 1883. The present pulpit and communion area dates mostly from 1894 although the communion rail may be rather older than that. During and after the First World War the interior was altered again, the roof was renewed, and the present arched ceiling added. This ceiling closely resembles early Cinema design and may have been intended to make the interior look more 'up to date'. The Gallery tip-up seats were also a feature more at home at a cinema. Each seat incorporates a wire hat rack, so your bowler or top hat could be safely stowed under your seat. The pews downstairs were installed in the late 19th century, replacing the previous box pews. The new pews were numbered, so they could be rented to particular individuals at that time. There are also fold-down bench seats fixed to the walls to provide extra seating when required.
Nearly all the elements of the pulpit and communion area date from the remodelling of the Chapel in 1894. This 'rostrum', which many consider resembles a wedding cake, follows the elaborate Italian Renaissance Style. The ornate wrought iron panels may have been made by blacksmiths in Narborough. The arrangement of this part of the church and the emphasis given to the different elements are very typical of the design of Methodist Churches in the late nineteenth and early twentieth centuries. Although these fittings are elaborate, there are no figurative images. The gilded cross is empty, not only reminding worshippers of the Crucifixion but expressing Jesus's resurrection and his triumph over death. In central place, encircled by a wooden rail, is the communion table for the celebration of Holy Communion (also known as the Lord's supper). This commemoration of the Last Supper, in which worshippers share in bread and wine, is very important to many Christians. Those partaking can kneel at the rail. The small regular holes pierced in the wooden ledge behind the rail are designed to hold the individual glasses typically used in Methodist celebrations of the Lord's Supper. From John Wesley onwards the Methodist Church has had a strong tradition of opposing the abuse of alcohol. For this reason, by the late nineteenth century, most Methodist Churches stopped using alcoholic wine at communion. The individual glasses, an innovation from America, prevented the spread of disease once alcoholic wine was abandoned. Above the table is a broad pulpit. The elevation of the pulpit expresses the centrality of preaching in Methodism. It also serves a practical purpose enabling the preacher to be seen and heard by the many worshippers seated in the gallery. Beyond this are the choir stalls. On either side are boards for the display of hymn numbers. The Organ
Members and Memorials Rooms and Meetings
Redevelopment The Most recent change to the main church has been removing the side pews, and creating areas under the galleries for exhibitions, sales stands and displays. The new layout gives much greater flexibility of use while protecting and sustaining the heritage of the chapel. We are now working on a ramped entrance and a more open layout for the foyer area. Our vision is that the area where we worship will be open to the public all through the week, with a fair trade café, high quality performance venue; and an exhibition space that can showcase our own heritage, activities and concerns and the work of local groups, charities and organisations. The serenity and beauty of this historic space will be accessible to the people of Leicester, not only during special events, but every day.
For a summary of the beginnings of Methodism in Leicestershire, see http://www.leicesterchronicler.com/wesley.htm A short booklet, John Wesley in Leicestershire, published by Kairos Press in 1988, provides fuller information on this, and is available from Kairos Press, or direct from Bishop Street Methodist Church. |
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